Why a FLAC to WAV conversion can still go wrong
FLAC is compressed without loss, so turning it into WAV should give you the same samples in a bigger file. It usually does, but only if the bit depth and sample rate are left alone, and many converters don't leave them alone. Several online tools write 16-bit WAV, either always or as a default you have to change. Plain ffmpeg does the same when you don't name a format.
We ran it on a 24-bit test FLAC. With no options, ffmpeg -i in.flac out.wav wrote a
16-bit WAV without any warning, and 99.6% of the samples changed. With
-c:a pcm_s24le added, none did. If you're using ffmpeg, add that option for 24-bit
files. Here, Match the original does it for you.
How the checksum check works
When a FLAC is encoded, the encoder stores an MD5 fingerprint of the original audio in the file's header. It is there for exactly this purpose, though few tools ever look at it. This page calculates the same fingerprint from the samples it decodes and compares the two. Each file then shows one of three results:
| What you see | What it means | What to do |
|---|---|---|
| Checksum matches | The decoded samples are the ones that were encoded | Nothing, the conversion is exact |
| Checksum does not match | The file changed after it was made, usually a bad download or a failing disk | Get the FLAC again if you can. The WAV holds what could be read |
| No checksum stored | The encoder left the fingerprint empty, so there's nothing to compare with | The WAV is fine to use, but it couldn't be verified |
We tested this by damaging a copy of a FLAC: 40 changed bytes in the middle, and another copy cut off at 60% of its length, like an interrupted download. Both files still opened and produced a WAV that played, and both were flagged. A converter that doesn't check would have handed you a damaged WAV and no reason to suspect it.
Which settings to choose
| You want the WAV for | Bit depth | Sample rate |
|---|---|---|
| A DAW, mixing or mastering | Match the original | Same as the FLAC |
| An audio CD | 16-bit | 44.1 kHz |
| A video editor | Match the original | 48 kHz if your project is 48 kHz |
| DJ software or an older player | 16-bit | 44.1 kHz |
Anything other than the defaults changes the samples, so the result stops being an exact copy and says so. That's expected: a CD can't hold 24-bit audio. Keep the FLAC as your master, and make the lower-resolution WAV from it whenever you need one.
File size
WAV size depends only on the format and the length, not on the music. FLAC depends on how complex the sound is. In 8 real recordings we tested, the WAV was 1.4 to 4.6 times the size of the FLAC, and about 1.8 times in the middle of that range. FLAC vs WAV has the full table.
| Format | WAV per minute | A 60-minute album |
|---|---|---|
| 16-bit, 44.1 kHz stereo (CD) | 10.6 MB | 635 MB |
| 24-bit, 48 kHz stereo | 17.3 MB | 1.04 GB |
| 24-bit, 96 kHz stereo | 34.6 MB | 2.07 GB |
A single WAV can't go past 4 GB. That's about 6.7 hours at CD quality, or about 2 hours at 96 kHz 24-bit. If a FLAC would go over, this page tells you before writing anything; split it first with Split Audio. Very long hi-res files can also run out of browser memory on a phone or a small laptop.
Tags, album art and surround files
Title, artist, album, genre, year, track number and comment go into the WAV's INFO tags, and non-English characters are kept. WAV has no standard place for a picture, so cover art stays behind in the FLAC, and each result tells you when that has happened. Don't be surprised if the tags seem to be missing: Windows File Explorer showed the title and artist of our FLAC but nothing for the WAV, even though the tags were in the file, and the same happened with WAVs tagged by other tools. If tags matter on your phone or in a car, FLAC to MP3 keeps them all, cover art included.
Files with more than two channels, such as a 5.1 mix, are written with a proper channel layout, so the centre and surround channels stay where they belong. In our 5.1 test file the WAV matched the FLAC channel for channel.
Your music stays on your device
The conversion runs in your browser, so nothing is uploaded, and unreleased tracks and private recordings stay on your device. Drop a whole album at once and Download all as ZIP names the ZIP after the artist and album when the tracks share them. Tested in Chrome and Edge. For other formats, see M4A to WAV and MP3 to WAV; to go the other way and save space, see WAV to MP3. All of them are listed under audio tools.